{"id":36181,"date":"2016-02-22T21:18:28","date_gmt":"2016-02-23T05:18:28","guid":{"rendered":"https:\/\/studentfilmreviews.org\/?p=36181"},"modified":"2016-02-22T21:52:31","modified_gmt":"2016-02-23T05:52:31","slug":"the-look-of-silence-joshua-oppenheimer-2014-denmark-indonesia-finland-norway-uk-israel-france-usa-germany-netherlands","status":"publish","type":"post","link":"https:\/\/studentfilmreviews.org\/?p=36181","title":{"rendered":"The Look of Silence (Joshua Oppenheimer, 2014): Denmark | Indonesia | Finland | Norway | UK | Israel | France | USA | Germany | Netherlands"},"content":{"rendered":"<p>Reviewed by Martin Hutchinson. Viewed at the Metro Four\u00a0Theater, Santa Barbara.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/dl9fvu4r30qs1.cloudfront.net\/61\/be\/52cad589430284373be05064b86c\/the-look-of-silence.jpg\" alt=\"\" style=\"margin: 0px 10px 0px 0px; float: left\"\/ width=\"325\" height=\"200\" \/><\/p>\n<p>Joshua Oppenheimer&#8217;s Oscar nominated documentary <em>The Look of Silence\u00a0<\/em>is a film not just of artistic value but of enormous historical and political importance. \u00a0The film is a companion piece to Oppenheimer&#8217;s <em>The Act of Killing<\/em> (2012) with both forming a diptych on the Indonesian Genocide. This documentary represents the first time in film history in which victims of genocide have confronted those responsible when they\u00a0still hold positions of power and prestige in the government.<\/p>\n<p>The film centers on the character of Adi, a man whose brother was one of the more publicly murdered of the hundreds of thousands who were summarily executed during the Indonesian genocide. He is faced with footage of boasting from those\u00a0who carried out these heinous crimes against his brother and he decides that he must confront them to begin a process of truth and reconciliation unilaterally. Adi is an optometrist and he uses free visits as an enticement and a cover to begin the process of confronting those responsible for the genocide in increasingly higher positions of power and responsibility. As he moves up the chain of command he must weigh his urge to bring out the truth with the endagerment of his\u00a0safety and that of his family.<\/p>\n<p>Oppenheimer sets up each interview to focus on the reaction of the two interviewers rather than focus on the speaker. This is where the true drama and the true nature\u00a0of the conversation arises. We also have moments of reflection and pause\u00a0between the interviews that\u00a0feature still frames of various scenes which, by lacking any\u00a0human activity, highlight the absence of the millions who died\u00a0in the Indonesian purges. The red optometrist glasses used in the interviews are an apt metaphor for the moral\u00a0myopia of the Indonesian\u00a0perpetrators, and Adi&#8217;s attempt to make them see the true nature of their actions.<\/p>\n<p>This film along with\u00a0<em>The Act of Killing<\/em><em>\u00a0<\/em>have ushered in a new national dialogue in Indonesia about what was once politically impossible to voice. Oppenheimer is unable to return to Indonesia and much of the crew remains anonymous for their own safety. A monumentally important film that is essential viewing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reviewed by Martin Hutchinson. Viewed at the Metro Four\u00a0Theater, Santa Barbara. Joshua Oppenheimer&#8217;s Oscar nominated documentary The Look of Silence\u00a0is a film not just of artistic value but of enormous historical and political importance. \u00a0The film is a companion piece to Oppenheimer&#8217;s The Act of Killing (2012) with both forming a diptych on the Indonesian [&hellip;]<\/p>\n","protected":false},"author":81295,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,272],"tags":[],"class_list":["post-36181","post","type-post","status-publish","format-standard","hentry","category-films","category-santa-barbara-film-festival-2016"],"_links":{"self":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/posts\/36181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/users\/81295"}],"replies":[{"embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36181"}],"version-history":[{"count":0,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/posts\/36181\/revisions"}],"wp:attachment":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}