{"id":522,"date":"2008-06-30T18:58:51","date_gmt":"2008-07-01T01:58:51","guid":{"rendered":"https:\/\/studentfilmreviews.org\/?p=522"},"modified":"2008-09-21T19:02:28","modified_gmt":"2008-09-22T02:02:28","slug":"trouble-in-paradise-ernst-lubistch-1932-usa","status":"publish","type":"post","link":"https:\/\/studentfilmreviews.org\/?p=522","title":{"rendered":"Trouble in Paradise (Ernst Lubistch, 1932): USA"},"content":{"rendered":"<p>We often take sound for granted  in movies. Sound effects, music and even silence are all tools that  filmmakers use to help them tell a variety of stories on screen. Sound  can mask editing, highlight a joke, and emphasis drama. As Ernst Lubistch  was establishing himself as one of the greatest early Hollywood directors,  he used all of these techniques in his sound masterpiece Trouble in  Paradise. Lubistch used sound in a way that effectively expressed drama  and comedy that became the convention in almost every Hollywood film.  Trouble in Paradise stands out as one of film\u2019s greatest romantic  comedy.<\/p>\n<p>The film is a beautiful and  witty story about all different kinds of thieves, but the greatest of  them all is Gaston, our main protagonist. Though the film is full of  clever dialogue and memorable moments, what I will always remember about  Trouble in Paradise is the first scene (the first shot even), a gondolier\u2019s  song, the breathtaking lights of Venice, and a beautiful canal. Lubistch  is readying us for an enchanting romantic comedy. The second scene begins  with Gaston trying to smooth talk and steal from the feisty Lily, who  is a swift thieve herself. We find that their love is a match made in  heaven.<\/p>\n<p>Gaston and Lily then find their  big break, the ideal woman to con, the beautiful Madame Mariette Colet.  As Colet is quickly getting bored by the two older gentlemen who are  bickering over who will be the most appropriate suitor for her, her  interest and attention immediately focuses on Gaston, who has become  a secretary for Colet. Just as Gaston is acquiring more knowledge on  how to rob her blind, he begins to fall for her beautiful allure. A  love triangle full of deceit and deception between Gaston, Lily, and  Colet (a hexagon if you count the two suitors) then forms. One of the  suitors vaguely remembers Gaston from Venice and begins to reveal his  secret. Conflict is raised even higher when Lily forces Gaston to decide  whom he really loves, a decision he struggles over throughout the film.<\/p>\n<p>The story and dialogue written  by Samson Raphaelson is entirely perfect. From Gaston\u2019s smooth one-liners  to the spunky\/whiny remarks of Lily to the hilarious squabbling of the  two suitors. Every character is thoroughly developed and supremely characterized  by their respective actor or actress. The story is incredibly economic  with its use of sexual innuendos masking it with clever metaphors and  juxtapositions; for example, the opening title begins with the word  \u201cTrouble in\u201d and a bed appears right next to the word a few seconds  before \u201cParadise\u201d does. Later in the film, as Gaston is romantically  kissing \u201cBrunette\u201d, their shadows are cast upon a bed, clearly suggesting  the obvious. This clever use of masking sexuality is lighthearted and  adds to the overall comedy of the film. Lubitsch is able to do this  effortlessly even though the film was made before the Production Code.  Lubitsch\u2019s Trouble in Paradise is one of the most important films  of the studio era, ingeniously clever and outstandingly funny from start  to finish.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We often take sound for granted in movies. Sound effects, music and even silence are all tools that filmmakers use to help them tell a variety of stories on screen. Sound can mask editing, highlight a joke, and emphasis drama. As Ernst Lubistch was establishing himself as one of the greatest early Hollywood directors, he [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-522","post","type-post","status-publish","format-standard","hentry","category-films"],"_links":{"self":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/posts\/522","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=522"}],"version-history":[{"count":0,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=\/wp\/v2\/posts\/522\/revisions"}],"wp:attachment":[{"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=522"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studentfilmreviews.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}