The Princess of Montpensier (Bertrand Tavernier, 2010): France/Germany

Reviewed by Tyler Gilbert. Viewed at the Mann Chinese Theatre, AFI Film Festival, Hollywood.

The Princess of Montpensier is director Bertrand Tavernier’s most recent film starring Mélanie Thierry, Lambert Wilson, Grégoire Leprince-Ringuet, Gaspard Ulliel, and Raphaël Personnaz. Set in French countrysides and ancient castles, the film foregoes all modern filmmaking techniques, including CGI and other digital production. In fact, The Princess of Montpensier premiered in Hollywood in 35mm, causing it to seem rather old and traditional. The traditional aspect comes through nicely in the story, too, and in fact is one of the main sources of controversy for the Princess of Montpensier (Mélanie Thierry). Stuck between her desire to marry the man she loves (Henri de Guise (Gaspard Ulliel)) and her father’s desire for her to marry the Prince of Montpensier, the princess is frequently placed in difficult positions, where she must make the decision to either continue the traditions of past royal families, or renounce the traditions and disappoint her family. The story is a history of the princess’ life from childhood to marriage, and finally to divorce.

Because of the wars, the Princess finds herself frequently away from her husband, and thus has little time to explore and find love in him. Thus, when he finally returns, the two of them can never communicate with one another, and several arguments arise over the Princess’ faith to the Prince. Traditionally, she is his wife and must love him regardless of what her heart is telling her. But having been apart for so long, the two of them never find love, and instead the Prince eventually finds the courage to let her leave. This idea leads to a message about following your heart, in effect renouncing tradition. The Princess is constantly unhappy due to her arranged marriage to the Prince of Montpensier, and finally when she leaves him to follow her heart, it is too late. Ultimately, the best choice is to do what your heart is telling you, a youthful motif, consistent with the rest of the film. In addition to following your heart, the film also offers a perspective on Laura Mulvey’s “male gaze.” Being a beautiful young woman in the 1600s, and not expected to have much of a say, the Princess often finds herself somewhat like prey for the many young men surrounding her. Although the men are respectful towards her, they make it quite clear through their seductive conduct that they are attracted to her. They do not hide their lust for her, but she is quite powerless to them, especially to Guise, the man she loves.

Although the film is serious and dramatic, it is also an inspirational piece about young love, devotion, and perseverance. Through all of the difficulties she faced from her family and husband, the Princess is strong enough to persevere and go on living, even after Guise falls out of love with her. The story tells of a bright, fearless woman who is willing to live, despite the cards dealt her. Because of this, the film can speak to many who have also had difficulties with love and conflicts with traditions. Sometimes, a change is always best, although this film does not strictly say so; it merely shows how changes are necessary if you do not follow your heart.