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1. izzy reardon 03.03.25 / 6pm

   Larry Gleeson’s review of Double Indemnity offers a thorough analysis of the film’s key elements, particularly its defining traits as a quintessential film noir. His insight into the dark visual style and narrative, influenced by German Expressionism, is particularly spot-on, as the film’s moody cinematography and shadowy, rain-slicked streets are integral to its psychological tension. The mention of the mise-en-scène, with Walter Neff’s “inner imprisonment” reflected in the set design and cinematography, is a clever observation that emphasizes how the film’s visual language reinforces its themes of moral entrapment and inevitable downfall. Gleeson also highlights Billy Wilder’s mastery of the noir genre, particularly his use of voice-over narration and doubles, which create suspense and irony. The tension between Walter’s desire and his internal conflict is captured excellently in the review, especially when discussing the pivotal scene with Walter and Phyllis after the murder. The dynamics between the characters—particularly the way Phyllis manipulates Walter—are key to the film’s dark, tragic trajectory, and Gleeson captures this well. His conclusion about the film’s nominated Oscars adds a fitting touch to his endorsement, solidifying Double Indemnity as an essential and highly recommended classic of the genre.
2. Lawrence Gleeson 03.04.25 / 8pm

   Hi, Izzy. Thank you for commenting.You constructed an excellent response. Please consider reviewing film. Thank you, again.
3. Ella Oliveras 03.05.25 / 11pm

   I actually really enjoyed reading this review, and I agree with a lot of the points that it makes. The analysis of how the movie has the essentials of film noir is super cool, particularly in discussing the visual design and the darker narrative. The mention of German Expressionism and the films of Hans Drier, Hal Pereira, and John F. Seitz really appreciated in me the value of the look of this film. The low-key lighting, shadows, and rain soaked streets are so characteristically film noir, and the review was excellent at highlighting how they all together create an oppressive atmosphere that mirrors the characters’ moral crises. I also appreciate deeply the review’s focus on the complex relationships between Walter Neff and Phyllis Dietrichson. The manner in which it deals with Phyllis’s sensual nature and Walter’s descent into moral compromise is exactly how I viewed the movie, and it’s clear that the reviewer understands how these conflicts drive the film. The relationship between morality and desire, particularly Walter’s desire for Phyllis, gives the movie a sense of fatalism throughout, which the review captures well. This was a great post.
4. Aren Kalaydjian 03.08.25 / 3pm

   Your deep dive into *Double Indemnity* captures the film’s noir essence superbly, highlighting its stark visuals and morally ambiguous narrative. The use of voice-over narration enhances our understanding of Walter Neff’s psyche, creating a compelling first-person perspective that embodies the film’s existential despair. The chiaroscuro lighting amplifies the tension, while the thematic motifs you mention reveal the characters’ inner turmoil. Wilder’s strategic use of mise-en-scène immerses us in the protagonists’ conflicting desires, particularly in scenes laden with sexual tension and manipulation. The interplay of fate and free will exemplifies classic noir, making *Double Indemnity* an essential study in the genre.
5. Junkai Ling 03.16.25 / 12pm

   In my opinion, the film “Double Indemnity 1944” is a pioneer of film noir, and the narrative technique in this film inspired the post-era film noir and neo-Noir films. When I watched the film for the first time, I felt strange at the beginning, but later I fell in love with the narrative style of film noir, which has a strange sense of elegance. At the beginning of the film, the protagonist arranges the suspense and tells the audience what the ending is in advance. However, he does not immediately explain how the ending happens, but slowly explains all the truth as a narrator. This narrative style can well arouse the curiosity of the audience.
6. Levi Salzman 03.17.25 / 1pm

   You posted an excellent review of Double Indemnity (1944). This film is a quintessential representation of film noir. This film uses certain techniques and lighting to enhance the overall viewing experience. The voice-over narration adds depth to the storytelling and aligns perfectly with the noir style. Your mention of German Expressionism is very important and insightful. The film’s high-contrast lighting and shadowy scenes enhance the psychological tension.
7. Taylor Crawford 03.19.25 / 7pm

   After watching Double Indemnity (1944), I found it so intrueging. The story of an insurance salesman and a woman plotting murder for money was intense. The black-and-white visuals added to the suspenseful mood. I now see why it’s considered a classic film noir.​
8. Elizabeth Darrar 03.19.25 / 9pm

   You did a great job highlighting the film’s stark visuals and morally complex narrative, focusing on how the voice-over narration draws us into Walter Neff’s psyche, offering a deeply personal perspective on his existential struggle. There were many editing techniques in terms of lighting and the use of shadows that were crucial in amplifying the tension, and visually representing the characters’ inner troubles. Your insight into the interplay of fate and free will underscores the film’s classic noir themes, making protection not just a captivating film but also an essential study in the genre. Great work!
9. Elizabeth Darrar 03.19.25 / 11pm

   You did a great job highlighting the film’s stark visuals and morally complex narrative, focusing on how the voice-over narration draws us into Walter Neff’s psyche, offering a deeply personal perspective on his existential struggle. There were many editing techniques in terms of lighting and the use of shadows that were crucial in amplifying the tension, and visually representing the characters’ inner troubles. Your insight into the interplay of fate and free will underscores the film’s classic noir themes, making protection not just a captivating film but also an essential study in the genre.
10. Elizabeth Darrar 03.19.25 / 11pm

    Larry Gleeson did a great job highlighting the film’s stark visuals and morally complex narrative, focusing on how the voice-over narration draws us into Walter Neff’s psyche, offering a deeply personal perspective on his existential struggle. There were many editing techniques in terms of lighting and the use of shadows that were crucial in amplifying the tension, and visually representing the characters’ inner troubles. Your insight into the interplay of fate and free will underscores the film’s classic noir themes, making protection not just a captivating film but also an essential study in the genre.
11. Itash Ram 03.20.25 / 2pm

    I really liked your breakdown of Double Indemnity and how it fits into the film noir style. You did a great job explaining the key elements, like the lighting, voice-over, and suspense. I found it especially interesting when you talked about the use of doubles and how Walter is torn between Phyllis and doing the right thing. Even though I haven’t seen the film, your review made it sound like a perfect example of classic noir. The way you described the tension in the scene with Keyes and Phyllis hiding really stood out. Do you think this film still holds up today, or do newer movies do noir in a better way?
12. Jasmine Rincon 03.20.25 / 3pm

    This really captures why Double Indemnity is such a defining film noir. I liked how you pointed out the film’s use of shadows, voice over narration, and low lighting which are all classic noir elements that make the story feel dark and doomed from the start. The way Phyllis manipulates Walter is so well done, and the review explains how her femme fatale role is key to his downfall. The mention of Walter’s “inner imprisonment” stood out to me because it really shows how the film visualizes his fate, he was trapped the moment he met Phyllis. Great Job!
13. Mary B Campuzano 03.20.25 / 6pm

    I really liked how you explained what makes Double Indemnity such an important film in the film noir genre. The way you described the dark visuals, shadows, and rain-slicked roads really helped me understand how the mood of the film matches its dark story. I also thought it was interesting how you pointed out the voice-over narration and how Walter’s internal conflict is shown through his actions and the film’s visuals. The chemistry between Walter and Phyllis was definitely intense, and the suspenseful moments you mentioned kept me hooked. This movie sounds like a classic I definitely need to watch!
14. Aliz Schuette 03.20.25 / 8pm

    I love the cinematography in this film, and how the visuals looked throughout. This made for a dramatic feel of the film and almost like everything was destined to go downhill from the beginning. The portrayal of feminine energy was very strong all throughout. This film had an overall timeless feel.
15. Kaylee Lawson 03.20.25 / 10pm

    I really enjoyed Larry Glenson’s analysis review of Double Indemnity, and I was able to follow along really considering the fact that I have not yet seen this film. One of my favorite films I have seen thus far is Sunset Boulevard mainly because of the Noir feel it gives, therefore I believe this film would be very entertaining to me as well. I think Larry reviewed this film very strongly, and while I was reading the review I was able to grasp a deep understanding of the analysis of the characters. I really loved Larry’s description words, for example when describing the mise-en-scene Larry used “coldly expressed” to describe the mise-en-scene. Another thing I enjoyed in this review was the review on the directors choices, an example would be using doubles and portraying the characters. I believe this review was very insightful and kept readers, who have watched it or not, thoroughly engaged.
16. Drew Carter 03.21.25 / 10am

    Larry Gleeson offers a really insightful review of all of the aspects of how Double Indemnity sets the bar for the standard of film noir and highlights the dark visuals and aesthetic which resemble that of German Expressionism. The analysis of the elements of the “coldly expressed” mise-en-scene and how they relate to the visual motifs and Walter’s internal conflict was a really great breakdown. I particularly enjoyed how you brought up Wilder’s use of doubles or “the doubling effect” which links crime and narrative and the pivotal moment for Walter when his soul is faced with decision of whose side to shoose and whether or not he even has a choice. I think this moment really captures the heart of the film and, as you described, sets it apart from your typical crime film.
17. Zihan Ling 03.21.25 / 2pm

    Hi Larry, I really enjoyed this review of your film, your analysis is comprehensive and powerful, accurately pointing out the importance of Double Indemnity as a Film Noir canon, and especially analyzing the use of Low-key Lighting, Voice-over Narration and inverted Flashback Structure In particular, the analysis of Low-key Lighting, Voice-over Narration and Inverted Flashback Structure is very brilliant, analyzing the characteristics of the film from all aspects, comprehensive but not cluttered. In the movie, Walter Neff is portrayed as a typical Anti-hero, and the process of his fall is closely related to the fatal temptation of Femme Fatale Phyllis. In your analysis, you also mention the film’s German Expressionism influence, which is the ultimate source of its Visual Style’s brooding coldness. Particularly praiseworthy is the exploration of the “Doubling Motif” section, where the character’s inner moral conflict is successfully expressed through a detailed analysis and your insightful objectivity. Overall, the review is well structured, with a good use of terminology, demonstrating your good knowledge of cinema, and your detailed analysis of the plot and characteristics of the film, as well as your own objective insights, combine to form this review. I think your review is very good, and it can fully enable a person who has not seen this movie to get a preliminary understanding of it. All in all, I think this is an excellent movie review!
18. Keaton Wells 03.21.25 / 2pm

    I really enjoyed how in depth you analyzed how Double Indemnity and it’s aspects embody Film Noir. The level of description when going into all attributing aspects like mise-en-scene was very informative and made a great connection between the film and Film Noir. I also greatly appreciated the inclusion of common Film Noir themes being listed and then directly related to the film, greatly strengthening your statements. Overall this a a very effective and in depth review, great job!
19. Hritvik Singhvi 03.21.25 / 4pm

    I loved reading your review! Your review of Double Indemnity is simply scintillating. The meticulous analysis of film noir aspects such as lighting and narration simply echoes why this film is an evergreen classic. The reference to German Expressionism was a nice little flourish; shadows and framing work marvels for the mood and tension of the movie. Here, the focus on psychological entrapment of Walter Neff came off really well-as is his doom, and you encapsulated it brilliantly! Overall, amazing review and had a great time reading it!
20. Vanessa Cardona 03.21.25 / 5pm

    I think your review does a great job of showing why Double Indemnity is such an important film noir. It captures the dark story, striking visuals, and ill-fated romance between Walter and Phyllis. The way you explain the film’s use of lighting, shadows, and voice-over narration makes it easy to see how it builds tension and emotion. Your breakdown of key scenes, like Walter’s struggle with his choices, adds depth to the review. You also highlight how the film plays with fate and free will, making it even more interesting. Overall, this is a strong and engaging review of a classic movie.
21. drew bivens 03.21.25 / 7pm

    Fantastic review! You’ve captured the essence of Double Indemnity beautifully and presented your insights compellingly. It’s fascinating how you highlighted the film’s use of visual storytelling and voice-over narration to deepen our understanding of Walter Neff’s complex character. The interplay between light and shadow really does evoke the unsettling atmosphere of classic film noir, and it’s impressive to see how Wilder skillfully employs these cinematic elements to amplify the growing tension throughout the film. Additionally, the commentary you had on her dynamic with the other characters adds an intriguing layer to the discussion. Your review is engaging, making me want to watch the film myself.
22. Logan Hubbell 03.21.25 / 7pm

    Your review does a great job of capturing what makes Double Indemnity such a standout in film noir. The way you describe the shadowy visuals and bleak atmosphere really emphasizes what bits and pieces make the film so unique. I especially liked how you mentioned Walter Neff’s internal imprisonment being reflected through the prison like visuals, it’s a poignant part of the visuals that shows how trapped he really is. Your focus on the use of doubles, both in theme and narrative, adds an interesting layer, and it makes the story feel even more tragic and suspenseful. The scene where Phyllis seduces Walter with nothing but a towel and a fresh outfit is a perfect example of how the film uses subtle moments to create tension. Great review Larry.
23. Brett Hardin 03.21.25 / 8pm

    This film does a fantastic job with its use of mise-en-scene as the main character interacts with the setting quite brilliantly. You described this interaction perfectly as the main character faces a feeling of isolation and entrapment is reflected through the visuals of cinematography and the set locations. The brief description of film noir helped readers understand the terminology while also defining key aspects included in this film. The identification of cinematography aspects was as well summarized as they are important to the film itself. Great Job!
24. Aedyn Fredericksen 03.21.25 / 8pm

    This review really shows what makes this film such a classic! The dark visuals really did set the perfect tone for the film noir genre that the film was. It also really does help to draw the viewers in. Stanwyck’s performance as the femme fatal is unforgettable, then and now, it will always be talked about. She brings such a captivating complexity to where character that keeps you on the edge of your seat! Like stated, the use of voice overs adds a very unique touch giving us insight into the protagonists thoughts and feelings. This was an impressive film to say the least and a very impressive review, perfection.
25. Michelle Catalan 03.21.25 / 9pm

    I read Larry Glenson’s review and I am so impressed. I loved this review. It was so well written. The review examines the main focal points of the film Double Indemnity. I would think that this could just be referred to as a black and white film. But, there is an actual name to it. As Glenson mentions it is referred to as “Film Noir”. It makes the film appear more thrilling. They also mentioned how “Shadows are too appeal emotion”. I believe this is because shadows allow to show the characters attitudes, facial expressions and facial features. Lastly, they mentioned how Mise-en-scene allows to view the characters impersonation. Which I can agree on. Mise-en-scene allows to help identify who the main character or characters around truly are. Such as background, costumes, lighting, actions etc. Overall, the review assits to understanding not just the film itself but what goes on beyond the film.
26. Gabriel McDonnell 03.21.25 / 11pm

    This review effectively captures the essence of Double Indemnity and its significance in establishing film noir conventions. The analysis of the film’s visual style, particularly its connection to German Expressionism and the contributions of its cinematographer and art directors, is well-articulated. The breakdown of Walter Neff’s entrapment, both physically and psychologically, adds depth to the discussion. However, some sentences could be more concise for clarity, and minor grammatical inconsistencies (such as “tenants” instead of “tenets”) should be addressed. The engaging tone, especially in the final paragraph, makes the review compelling, though the rhetorical “Tune in and find out!” feels slightly out of place.
27. Gabriel McDonnell 03.21.25 / 11pm

    This review does a great job of capturing what makes Double Indemnity such a defining film noir. It really digs into the film’s visual style, especially its ties to German Expressionism, and highlights how the cinematography and art direction shape the story’s dark, fatalistic tone. The breakdown of Walter Neff’s psychological entrapment is strong, but some sentences could be more concise, and there are a few small grammar issues (like “tenants” instead of “tenets”). The ending is engaging, but “Tune in and find out!” feels a little out of place. Overall, a solid and insightful review!
28. Salem 03.21.25 / 11pm

    This review succeeds in fully drawing out *Double Indemnity* as the definitive film noir, concentrating on its visual style, narrative structure, and thematic impact. The analysis of German Expressionist influence is particularly keen, since the low-key lighting and dark camerawork of the film contribute to its ominous atmosphere. I enjoy how the reviewer looks at Walter Neff’s psychological confinement, furthered by the mise-en-scène, i.e., prison imagery and cramped environments. The doubling effect is a strong point, as it emphasizes the duality of the movie regarding morality and internal struggle, similar to the movies of Hitchcock. However, the review could further analyze how Wilder subverts noir tradition, specifically Walter’s increased consciousness through voice-over. The irony and fatalism of the film are what set it apart from other noirs of its time.
29. Tanner Fritts 03.21.25 / 11pm

    The review’s analysis of Double Indemnity as a perfect example of film noir fully matches my perspective. The film achieves an intimate and confessional style through its voice-over narration together with flashbacks which strengthens the feeling of inevitability about Walter’s downfall. The movie’s visual elements such as rain-drenched streets and dimly lit spaces effectively depict the oppressive world these characters live in. The analysis of how Walter and Phyllis’ actions reflect each other demonstrates an insightful understanding that builds suspense through their mirrored behaviors. The movie expertly combines visual elements and plot development to produce a suspenseful narrative centered around desire and betrayal leading to moral downfall.
30. Jacqueline Garcia 03.21.25 / 11pm

    This is a great summary but I have yet to watch Double Indemnity, I have no doubt it is a classic given what you have described. The artistic lens through which you have analyzed the film’s shadows, voice-over narrations, and its use of drama has definitely captured my attention. I’m especially curious about the portrayal of the Walter Neff character and his internal struggle along with his “fall from grace” concept. All of the Stanwyck and MacMurray’s interactions also appear to add so much richness to the film. This was always going to be on my list, but now it looks like one of the best examples of film noir.
31. Jacqueline Garcia 03.21.25 / 11pm

    This is a great summary but I have yet to watch Double Indemnity, I can tell that it is a classic given what you have described. The artistic lens through which you have analyzed the film’s shadows, voice over narrations, and its use of drama has definitely captured my attention. I’m especially curious about the portrayal of the Walter Neff character and his internal struggle along with his “fall from grace” concept. All of the Stanwyck and MacMurray’s interactions also appear to add so much richness to the film. This was always going to be on my list, but now it looks like one of the best examples of film noir.
32. Tori Thorvund 03.23.25 / 11am

    I have yet to watch Double Indemnity, so this summary was very thorough and helpful to my understanding. Your summary conveys that this movie has a dark light to it and strongly portrays film noir, which helps me as a viewer get insight into what the movie may be like. The use of a narrator’s voice-over helps deep-dive into what is going through Walter Neff’s mind as he is being enticed by Phyllis. Walter finds himself at a crossroads when he battles making the right choice or fulfilling the wants and needs of a drop-dead gorgeous woman. I also appreciate your analysis on the settings and the props, and how mise-en-scene related to this film.
33. Mark Nunez 03.24.25 / 5pm

    The review of Double Indemnity 1944 was an excellent read. Adopting film making techniques by Alfred Hitchcock such as double effects, this film is created to be an entertaining watch. Having dealing with crime and having a strong narrative, this film could be seen as high concept, offering a strong hook with a compelling story.
34. Alejandro Gomez 03.27.25 / 10pm

    You did an amazing job on this review as I will add this to my watch list and recommend it to my friends. I really appreciated Larry Glenson’s analysis of Double Indemnity, and I found it easy to follow even though I haven’t seen the film yet. I believe Double Indemnity would also be highly entertaining for me. Larry’s review was exceptionally well crafted too as I read it, I gained a good understanding of the character analysis. I particularly enjoyed his choice of descriptive language. Additionally, I found his insights into the director’s choices fascinating, especially regarding the use of doubles and character portrayals. Overall, this review was enlightening and kept me fully engaged.
35. Bella Scura 03.31.25 / 2pm

    This is a really interesting analysis of Double Indemnity. I think that you have verbalized the key components of film noir perfectly, looking at not only the dark visuals and mood but also the complexities of the narrative. The way you emphasize Walter Neff’s internal conflict really helps the audience to appreciate the film’s layered storytelling. The intricate story and amazing acting creates a tension that makes Double Indemnity such a classic. The way you point out the psychological and visual elements, like the prison imagery, really shows how everything in the film contributes to its inevitable sense of doom.
36. Lawrence Gleeson 03.31.25 / 2pm

    Hi, Bella. Good observation and insightful comment. Double Indemnity is a film that helps define film noir. While it’s not the only one, it is certainly one of the best. Another aspect that comes into play is the Production Code. With an eye for what’s implied, Walter and Phyllis have a moment in Walter’s apartment. The film’s director, Billy Wilder, uses a jump cut from Phyllis and Walter making out to Walter smoking and Phyllis putting on lipstick. At the time, showing sex on screen would have prohibited the film from receiving a stamp of approval for distribution and exhibition. Thank you for commenting!
37. Gabriel Vega 04.05.25 / 1pm

    I thoroughly enjoyed Larry’s review of the film Double Indemnity. Although I haven’t seen this film, by the way he describe it and based on what you said, it is quite obviously a noir film. He does a good job of making it really short and sweet for the reader, while not overloading them with a bunch of information regarding the film but rather focusing on the different elements of it. By his description of this film, I can tell that it was one of the leading noir films of its time and that it’s a classic for a reason. Although released in 1944, the film didn’t shy away from certain topics that might have been considered more taboo during those times.
38. Christian Jaena 04.12.25 / 9pm

    I thought you did a great job of bringing out the best parts of this movie to someone who has never seen it before. Although I don’t have a good grasp on all the aspects of what make a film “noir”, I thought your review helped me to understand its component’s a little bit better. Moreover, your description of the film’s mise-en-scen was so detailed, and insightful that it would help anyone understand what that word would mean, even if they have never heard it before. I personally do not have that much insight on director’s styles when it comes to directing and storytelling so when you mentioned the “doubling effect”, I thought it was fairly interesting.
39. Lawrence Gleeson 04.16.25 / 9pm

    Hi, Christian. Film noir is more of a style than a genre, in my opinion. As film is a visual medium, the mise-en-scen, reveals much about the story. I understand what you mean when it comes to a director’s style, especially a director from eighty years ago. Hollywood history has its memorable directors, including Wilder. Another favorite of mine is 1940’s Prestron Sturgess. Sturgess became a director because he was fed up with directors botching his screenplays and is recognized as the first Hollywood screenwriter to become a director. Moreover, his screwball comedy film, Hail the Conquering Hero, to me is witty and fun to watch. Thank you for commenting.

    Thank you for commenting
40. Yutao Geng 04.16.25 / 11am

    Your analysis of Double Indemnity is very insightful, especially your mention of the “doubling effect” which made me rethink the film’s structure and moral paradox. You wrote that “Walter’s unconscious, animalistic desires determine his destruction,” which reminded me of how “anti-hero” characters are often driven by both lust and fate in my class discussion. This also echoes what Studlar mentioned in my reading about the “instability of masculinity,” especially how seemingly rational men reveal deep psychological cracks under the seduction of women.
    You also mentioned that the Dictaphone is Walter’s “symbolic pistol,” which is a particularly clever point, as if he has already been shooting himself with words. My question is: do you think Walter’s confessional narrative makes the audience sympathetic to him, or does it deepen our criticism of his self-destructive tendencies? Is he really completely controlled by Phyllis, or is he subconsciously actively welcoming his own destruction?
41. Lawrence Gleeson 04.16.25 / 10pm

    Hi, Yutao.

    I felt Walter’s confessional narrative effectively does both, makes the audience sympathize and it deepens the criticism of his self-destructive tendencies. While Walter may not be completely controlled by Phyllis, he was initially compelled by her magnetism and use of her sexuality to draw him into her world of deceit and deception. But, Walter has a self-destructive quality, too. Again, it’s a double-edged sword. Good questions, Yutao! And, thanks for commenting.
42. Joe Maslyk 04.19.25 / 10pm

    I really enjoyed reading your post/ review of Double Indemnity, you really captured the tone and core elements of Film Noir. I appreciated how you highlighted the “pitch black world view” and the German expressionist influence, this definitely helped frame how emotionally dark the film is. Your discussion of mise-en-scène, particularly Walter Neff’s entrapment within his environment, powerfully underscores how noir uses visual storytelling to reflect inner turmoil. I also appreciated how you pointed out the use of doubling, especially in the scene where Phyllis hides behind the door since it highlights the tension between morality and desire, which is so central to noir narratives. The way you explained Walter’s downfall, which was not a downfall of ill intent but instead the effect of an animalistic attraction to Phyllis added a really compelling layer of complexity to your review. Really enjoyed reading your review and it allowed me to understand the film in a different and deeper light.
43. Mary Anne Weiss 04.20.25 / 2pm

    “Double Indemnity” has always been one of my favorite films, before I had any idea what “film noir” was. I think it had mostly to do with the extraordinary performances of Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson. Your analysis describes Walter and his moral struggle perfectly. In my view, he didn’t struggle very hard or very long with his conscience before deciding to take the key role in the murder of Phyllis’ husband! The scene on the train, with Walter’s face in the shadows, was another example of the doubling you outlined – doubling as Mr. Dietrichson. I appreciate your description of some of the film noir conventions and the influence of German Expressionism. Billy Wilder was also an emigre from Berlin, via Paris, fleeing the Nazis.
44. Lawrence Gleeson 04.22.25 / 7am

    Hi, Mary.

    Thank you. Good notes on Walter not seeming to struggle very much before taking the key role in murdering Mr. Dietrichson as well as Billy Wilder being among the film directors who fled Germany. These directors including Otto Preminger (Laura Fritz Lang (Fury, 1936), and Douglas Sirk (All That Heaven Allows, 1955) helped define film noir and made significant contributions to the Hollywood film industry. Thank you for commenting.

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