The King’s Speech (Tom Hooper, 2010): United Kingdom

Review by Tim Lopez. Viewed at Santa Barbara Film Festival 2011

Garnering 12 nominations at Hollywood’s most prized award ceremony, Tom Hooper’s critically acclaimed drama about King George VI leaves no questions as to why it has collected more nominations than any other film. To point out a single reason why the The King’s Speech deserves so much credit wouldn’t be possible, or fair.

Credit starts with the writer of the film, David Seidler. According to producer Iain Canning, Seidler, who suffered from a stutter himself, began writing the script many years back but was told by the Queen Mother that she did not want him to distribute it while she was alive. Seidler respected her wishes and waited until she passed away. His script is brilliantly written and pays close attention to the development of both lead characters. The characters are complex but very relatable. Seidler’s ability to create characters whose flaws mirror so much of ourselves is remarkable. But characters on paper have to be brought to life, and that is where credit is given to the actors.

The ensemble put together for The King’s Speech is probably the best of any other film up for an award. Colin Firth and Geoffrey Rush are masters at their craft, and not enough can be said about their work. They each offer amazing individual performances, but they shine the brightest when their characters are together. Whenever a film is based on real life personalities, it is up to the actors to give a reasonable and life like interpretation. With this film, each actor offers portrayals that Lionel Logue and King Henry VI might even appreciate if they were alive today.

Keeping these actors in line and helping them along with their performances was the job of director Tom Hooper. Hooper deserves credit for his articulate filmmaking. The cinematography is also brilliant and each shot frames the emotions of the subject perfectly. An example can be found in the often unbalanced composition in frames with King George VI in order to convey his mindset and sense of self-doubt. Hooper also gives the film a very authentic look. The Mis-en-scene is on point with good costumes and realistic settings.

Of all the films nominated at the Academy Awards, those that are based on real life occurrences (ie. 127 Hours, Social Network, The Fighter) are among the best, especially The King’s Speech. The King’s Speech does a great job both as an interesting period piece and an excellent historical dramatization.


About this entry