Captain America: The First Avenger (Joe Johnston, 2011): USA

Reviewed by Kathleen Amboy.  Viewed at Fiesta Five, Santa Barbara, CA.

  Captain America:  The First Avenger  opened successfully in its first week by passing the halfway mark of the $140 million budget within the first few days.  Unlike many a summer blockbuster, this Captain deserves every penny of his earnings, since this superhero flick, set in the backdrop of WWII, is one of the best produced in a super long time.

Brilliant directing and superb writing are the factors that solidify this gem.  Captain America:  The First Avenger not only embodies the spirit of the comic book character, but embraces the ideal, ordinary American joe, so well depicted in classic WWII propaganda films, favorably received during and after that war.

With the loss of both parents, sickly asthmatic Steve Rogers (Chris Evans) is adamant about serving his country, and though declared 4F, makes several attempts to enlist, before receiving the required 1A rating from allied scientist, Dr. Abraham Erskine (Stanley Tucci).

Erskine heads up a secret program, and assisting him is an innovative engineer, and Howard Hughes type, named Howard Stark (Dominic Cooper).  They transform the anemic Rogers into an astronomical, beefcake super-soldier, with the intention of kicking some Nazi ass.

Typical in a great WWII epic is the presence of a mean and ugly Nazi officer that’s easy to hate, frightening sieg heils, covert operations and cyanide capsules.  In this case, Captain America’s evil nemesis is Johann Schmidt (Hugo Weaving), a.k.a. Redskull, who’s the leader of a rogue faction of Nazis, known as HYDRA, and his plan is to conquer the world!  Schmidt’s yes-man is the twerpy Dr. Zola (Toby Jones), a scientist involved in a secret project concerning a high-powered tesseract.

Circumstances arise which shut down Erskine’s experiment and leave Rogers abandoned from the program, until a Washington senator offers him a job in promoting morale and selling war bonds, by touring the country in USO fashion – dubbing him Captain America.

Needless to say, Rogers tangles with Zola and Schmidt, becomes their nemesis, and declares “I’m just a kid from Brooklyn.”  To their dismay, despite HYDRA’s advanced technology, they find the Allies quickly encroaching upon them.

There is no secret identity with this superhero, which makes the plot readily acceptable, fun, and engaging.  Great camera work and CGI, with nostalgic earth, sepia, and B & W tones; but the real charm of this film lies in the fact that Captain America is kid-friendly, with no obvious innuendo or continual potty language that we sometimes are subjected to in other PG-13 films, whose franchising is targeted specifically at kids.

Great casting all around, especially the love interest in the role of Peggy Carter (Hayley Atwell).  She’s a military attache to the crusty U.S. Colonel, Chester Phillips (Tommy Lee Jones), and both are in charge of training Rogers.  The role of Carter is written brilliantly, as she is neither stupid, helpless, nor the cry-baby type, yet remains feminine, and is portrayed superbly by Atwell.

This is a repeat film, where you don’t mind paying twice for a ticket – as I did.  Other terrific Joe Johnston films include Jumanji (1995), Hidalgo (2004), and must-see The Rocketeer (1991).

 

 


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