The Girl with the Dragon Tattoo (David Fincher, 2011): USA/Sweden

Reviewed by Kathleen Amboy.  Viewed at Century 25, Union City, CA.

  Lisbeth Salander (Rooney Mara) is The Girl with the Dragon Tattoo, and very much a survivor.  Although emotionally damaged, she has a mind that’s as sharp as a razor and is highly skilled at computer hacking.  Though employed by Milton Security, she receives a modest monthly allowance as her income, because she’s been legally declared “mentally incompetent.”  She has been chosen to investigate the integrity of a reporter, of a whistleblower magazine, for the Vanger family.

Mikael Blomkvist (Daniel Craig) is an investigative reporter and publisher of Millennium Magazine, and is forced to step down as editor, due to his loss in a libel suit from a wealthy, but crooked businessman.  Blomkvist accepts an offer to document the history and business affairs of the wealthy Vanger Family, but the family patriarch Henrik Vanger (Christopher Plummer), secretly wants Blomkvist to investigate the disappearance of his niece Harriet Vanger, which occurred over 40 years ago.

Nils Bjurman (Yorick van Wageningen) is Lisbeth’s new guardian and custodian of her finances.  He’s a filthy pig of a man, who forces Lisbeth into sexual favors in order for her to gain access to her own much needed funds.

With justified indignation, the emotionally detached Lisbeth makes a return visit to school Bjurman, giving him a taste of his own medicine sort to speak – a lesson very much felt, and not soon forgotten.

Once Blomkvist discovers Lisbeth was assigned to investigate him, he seeks her help in his new missing person case.  Turns out, the two dig so deeply, they discover a serial killer directly linked to the family, who’s a dreadfully sick bastard.

Being a remake of an excellent film that was released in 2009 under the same title, directed by Niels Arden Oplev, one cannot help but compare the two films, and Fincher’s version is both acceptable and entertaining.

Fincher offers a highly stylized version, with the usual slick title credits, and his use of the sickening yellow tones to effect uneasiness within the audience.  The highlight of the film is the fine performance given by Rooney Mara (Erica Albright in The Social Network), since Noomi Rapace is a hard act to follow, with her standout performance in the original 2 years prior. 

Christoper Plummer gives an equally strong supporting act, but I question the casting of Daniel Craig,  though good, made no attempt at a Swedish accent, and because of this, it was distracting.  Robin Wright as Erika Berger, Blomkvist’s love interest, seemed ill at ease, while her hair color blended to closely with Fincher’s traditional yellow tones, leaving one to question where the hair color ended and the yellow tones began.

The writing of Steven Zaillian is not as lucid as the 2009 version by Nikolaj Arcel and Rasmus Heisterberg, so it may leave some viewers, who are not privy to the story, a bit confused in the beginning.

Overall a good picture, with a great soundtrack by Trent Reznor (The Social Network).

 

 

 


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