The Art of Conflict (Vaughn, 2013): USA

Viewed at the Metro IV on January 25, 2013, during the Santa Barbara International Film Festival at 8:00 P.M. Reviewed by Larry Gleeson. “The Art of Conflict,” a well-researched documentary directed by Valeri Vaughn and narrated by younger brother, comedic actor, Vince Vaughn, tells the acrimonious story of the conflict in Northern Ireland that has its origins embedded in the struggles of the mid to late nineteenth century with large wall-sized building murals. Fortunately Vaughn focuses her storytelling on the period known as “The Troubles” and thereafter bringing us up to date with the present. During the Q & A following the viewing, both Vaughns presented and fielded questions from the audience. Vince tended to dominate the conversation as he began by providing the background to the film’s birth. He happened to be in Ireland and decided to partake in a Black Cab taxi tour. Along the way he began noticing several murals as the cabbie showed him the sights while filling his ears with some local history. As the Vaughns are of Irish heritage Vince became intrigued. This was in 2005. Without missing a beat, he called Valeri about the possibility of her undertaking the subject matter of the murals as a project knowing Valeri’s early penchant for making documentaries. Valeri acquiesced and agreed to do it. “The Art of Conflict” was seven years in the making including several visits to the Emerald Isle. Numerous interviews and many hours of footage later a very real piece of art began to emerge as the peace process began showing real aspects of progress evidenced by thematic changes in the mural landscape. Some of the changes were a concerted effort by the two primary opposing groups, the Catholics and the Protestants, as they tried to peacefully co-exist and as they tried to allow the peace process to provide some relief from the tensions of a real war carried out in their respective neighborhoods and business establishments. It seemed that the Irish Nationalists, predominantly Catholic, wanted peace a bit more. I don’t believe the Vaughn’s depiction of the conflict was tilted towards either side. A point was made during the Q & A that every effort was made to ensure the piece was as balanced as possible. With the long history of repression, to me it stands to reason, that the Catholic Nationalists would want peace more as they have fought for rights historically back to the Land Use Agreement. Literally, Vaughn very well could have produced a Burnsian documentary detailing the conflict and its origin. On one hand it’s remarkable she didn’t while on the other hand it’s remarkable what she did do, She captured a very unique time in history using wall murals as an impetus for further inquiry, She delves into the major events and characters of the times and bars no holds eschewing historical photographs, archival footage and present day interviews in telling the story of a bloody, soulless conflict pounded home by the murals and the shapelessness and faceless depictions. It appears Ms. Vaughn has embarked on a journey of storytelling here that is just beginning. Wholeheartedly recommended.