The Ballad of Buster Scruggs (Ethan and Joel Coen, 2018)

Reviewed by Ryan Wildermuth. Viewed at the AFI Fest 2018.

 

 

Even after my third viewing, “The Ballad of Buster Scruggs,” I’m still not quite sure what to make of it. The newest Coen Brothers movie is a western anthology, focused on six different stories. However, some of the stories are very hit or miss. There’s lots of endearing aspects to the movie, but midway through the tonal shift and pacing of the movie slows to a halt, almost jarringly slow at times. Intentional or not, the pacing of the movie suffers because of the slower paced segments.

Despite the pacing issues, the film is quite good in places. The first two stories are easily the best. Tim Nelson’s role as Buster Scruggs is an absolute treat to watch. The slapstick and fourth wall breaking humor has the energy of a Looney Tunes short, each scene bombastically silly and tightly written. The dialogue being exceptionally admirable. The period accurate dialogue is something really unique to see in their movies, from their last western “True Grit” to this one. This carries onto the next story, this one following James Franco as a bank robber. This skits humor is similarly tight and punctual. It had a great balance between dark and depressing, and funny and humorous. These two stories also were very short, so each second was integral carried the the plot forward. However, after the second short the film begins to take a very slow pace.

None of the stories in the movie are really “bad”. It’s just the juxtaposition of the first two stories and the rest of the film that makes the other shorts seem “worse”. The one with Liam Neeson went on a bit longer than it needed to, with the punchline coming in a bit late. The gold miner story was also pretty decent, but the wagon trail and final stagecoach ride are underwhelming and dragged for a bit.

The Ballad of Buster Scruggs, while good, could never really recapture that same energy and feeling in the beginning movie. Instead it trades it out for a longer paced and more somber approach. And while some may like the tonal change, its admitiblw jarring and can detract from the two well done shorts in the beginning.

 


About this entry