The Social Network (David Fincher, 2010): USA

Reviewed by Byron Potau. Viewed at Edwards Cinemas in Santa Maria, CA.

The Social Network

Director David Fincher once again tackles challenging material in his new biopic, The Social Network, about Facebook creator Mark Zuckerberg, which gives us a glimpse at how the Facebook phenomenon came to be by showing us its birth and the people responsible for it. Fincher stays on a roll with this fast paced drama which may have the screenplay of the year.

Harvard Sophomore Mark Zuckerberg (Jesse Eisenberg) is clearly a genius beyond what his 1600 on his SAT test can even begin to explain. He effortlessly writes computer code and hacks into databases with so much ease it’s scary. Spurred on by a bad breakup, Mark blogs a few insults about his ex girlfriend and then creates a site called Facemash for people to compare female college students to decide which one is hotter. The site, an early predecessor of Facebook, is a huge success and lands Mark in hot water with the college.

Harvard twins Tyler and Cameron Winklevoss (Armie Hammer) present Mark with an idea for an exclusive website for Harvard students. Mark agrees to build the site for them, but then stalls them while he expands on their idea to create Facebook. Mark enlists his only friend Eduardo Saverin (Andrew Garfield) for financial backing for the site and he becomes a co-creator.

The film begins flashing back and forth between lawyer hearings with both the Winklevoss twins and Eduardo, who are individually suing Mark, and the birth and growth of Facebook as it spreads to other universities, moves out west, and Mark comes under the influence of Napster creator Sean Parker (Justin Timberlake).

The story actually doesn’t seem all that fascinating on the surface so it is a real credit to Fincher and screenwriter Aaron Sorkin that they make it so. What is really fascinating about the film is all of the stuff in between the lines. Commentary on what our social experience has become, how we are viewed in the computer age, how we view our friends, and how we reconnect with them or try to.

Fincher’s skillful direction sets a fast pace to move the viewer along quickly, while Sorkin’s screenplay with its outstanding rapid fire, scintillating dialogue is intelligent and easy to follow. As a result we are never bored and never overwhelmed.

The performances are all excellent. Eisenberg’s smart performance as Mark conveys the nerdish, sarcastic, socially inept, superiority complexed Zuckerberg as he flawlessly spouts some ferociously sharp dialogue.

Justin Timberlake is surprisingly well cast as the smooth talking inventor of Napster, Sean Parker, who finagled his way into part ownership of Facebook, bringing a knowing, party boy lifestyle to the role. Andrew Garfield as Eduardo has some great scenes to show off his acting talents as well.

In a weak year this film should have no trouble making the list of ten Best Picture nominees and could likely take home an Oscar for Sorkin’s screenplay. A couple of acting nominations wouldn’t be out of the question either, and Fincher should nab his second directing nod. If it ages right this could be one of the defining films of the decade, something Fincher seems to have a knack for.


About this entry